The damage done.

The Damage Done, channels the visual fractures into an emotional narrative: the stitched vertical line reads simultaneously as repair and scar, the ochre palette evokes dried blood, skin, and sun-bleached memory. The small, remote motifs — boat, building — suggest distance and context: memory of place, or things lost in the wake of injury. The ambiguity permits readings that range from personal trauma to cultural damage; the work situates vulnerability and endurance in the same stroke.

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